Artibus et Historiae
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an art anthology
Artibus et Historiae no. 93 (XLVII)
2026
252 x 232 mm
ISSN 0391-9064
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95.00 EUR
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Aleksandra LIPIŃSKA, Uliana NAUMENKO, Tanita CIESIELSKA, Marek WALCZAK, Wolfram KLOPPMANN - Imported or Local? Refining the Geography of Late Medieval and Early Modern Alabaster Sculpture in Present-Day Poland and Ukraine with Isotopic Fingerprinting (pp. 9–38)
Bernát RÁCZ - The Mosaic Decoration of San Marco, Rome: Saint Mark the Evangelist as the Embodiment of the Papal Perspective in the Second Iconoclastic Controversy (814–842) (pp. 39–72)
Dennis ROMANO - The Saintly Cityscape: Urban Politics and Topography in Guariento’s
Coronation of the Virgin
Fresco (pp. 73–88)
Dafna NISSIM - Enhancing the Faculty of Memory: The Cognitive and Emotional Agency of the Portrait of Charles VI and his Secular Attendants in the
Goldenes Rössl
(pp. 89–110)
Ilia M. RODOV - From Moses to Moses: Moses Isserles’s Elusive Likeness in the Context of Modern European Portraiture (pp. 111–142)
Lorenzo BOFFADOSSI - Un disegno raffaellesco di soggetto bacchico nella collezione dei duchi d’Este (pp. 143–168)
Roberta J. M. OLSON and Joseph M. SILVA - An Early Cinquecento Florentine Portrait and Its Cover Reconsidered: New Documentary Evidence and a Biography of Caterina Antinori (pp. 169–201)
James R. JEWITT - A Venetian Gentleman Fashioned in Black: Redressing Titian’s Early
Portrait of a Man
in Copenhagen (pp. 203–243)
Anthony APESOS - More than Social Climbing: Art Theory and Allusions to Early Netherlandish Painting in Velázquez’s
Las Meninas
(pp. 245–267)
Stephen CONRAD - A Newly Discovered Early Painting by Nicolas Poussin:
Medea Restoring Aeson’s Youth
(pp. 269–281)
Thomas BROWN - The State, the Market and the Calendar: Depicting Events in Louis XIV’s France (pp. 283–319)
Paul JOANNIDES - Michelangelo’s Salting
Hercules
and its Siblings: Creation, Context and After-Life (pp. 321–358)
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