Artibus et Historiae
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an art anthology
Artibus et Historiae no. 85 (XLIII)
2022
252 x 232 mm
ISSN 0391-9064
Price :
90.00 EUR
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LUBA FREEDMAN - Sandro Botticelli’s Cupid in Lorenzo di Pierfrancesco’s Anteroom (pp. 9–49)
MARILYN ARONBERG LAVIN - Bellini’s Frick
Saint Francis
and the Source of the Absent Side Wound (pp. 51–87)
MICHAEL DOUGLAS-SCOTT -
Ianua Poli
: The Pesaro Triptych by Giovanni Bellini in the Frari, Venice (pp. 89–143)
MARCIN FABIAŃSKI - King John Albert Jagiellonian and Francesco Fiorentino: The First Italian Renaissance Tomb in Poland (pp. 145–184)
GIANCARLO FIORENZA -
Bononia docet
: Marcantonio Raimondi, Humanism, and Artisanal Culture in Renaissance Bologna (pp. 185–207)
MEREDITH J. GILL and WILLIAM E. WALLACE - The Final Calling (pp. 209–220)
OJCUMIŁA SIERADZKA-MALEC - Die Sammlung der Goldledertapeten des August II. im Königlichen Schloss auf dem Wawel-Hügel in Krakau (pp. 221–275)
ROBERTA J. M. OLSON and JAY M. PASACHOFF - Shedding Light on Danish Art and Astronomy during the ‘Golden Age’ (pp. 277–303)
CONRAD RUDOLPH - Oliva and Gaulli’s Program at the Gesù and the Jesuit Conception of the End of the History of Salvation (Part 1) (pp. 305–335)
CLAIRE PACE - ‘The Beautiful Landscape Made for M. de Bourlemont’: Claude Lorrain’s Painting of
Moses and the Burning Bush
and Other Works for the Sieur de Bourlemont (pp. 337–361)
ZBIGNIEW MICHALCZYK - The
Triumph of Saint Benedict
at the National Museum in Poznań. Between Paul Troger and Jan Bogumił Plersch (pp. 363–384)
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