Artibus et Historiae
IRSA
Friends of Artibus et Historiae and IRSA
Contact
an art anthology
Artibus et Historiae no. 84 (XLII)
2021
252 x 232 mm
ISSN 0391-9064
Price :
90.00 EUR
Add to cart
First
Previous
Next
Last
MAREK WALCZAK - A Group of Statuettes in Alabaster from the Dominican Church in Cracow: A Contribution to the Research on Imported Artworks in Central Europe in the Late Middle Ages (pp. 9–49)
ERIC R. HUPE - Giovanni Bellini’s
angelus cristallum
: Light, Incarnation, and the London
Agony in the Garden
(pp. 51–66)
SARAH BLAKE McHAM - The Genesis of the Tomb of Doge Andrea Vendramin: Verrocchio’s Unrealized Project (pp. 67–82)
SIMONA COHEN - Michelangelo’s Portrait Medal: The Blind Pilgrim and his Dog (pp. 83–97)
EDWARD J. OLSZEWSKI - Michelangelo’s
FACIEBA
[T] and
non finito
(pp. 99–113)
MATTHIAS WIVEL - The Venetian Modern. Leonardo, Giorgione, Titian (pp. 115–147)
PATRICIA FORTINI BROWN - The Other Francesco Morosini (pp. 149–194)
MEITAL SHAI and SIMONE GUSEO - Faith in Science Triumphant: An Eclipse in Villa Barbaro at Maser (pp. 195–220)
IRVING LAVIN (†) - Bernini’s
Barcaccia
in the Piazza di Spagna. An Art-Political No Man’s Land (pp. 221–235)
KEITH CHRISTIANSEN - A
Repentant Magdalen
, on Copper, by Georges de La Tour (pp. 237–246)
MIROSŁAWA SOBCZYŃSKA-SZCZEPAŃSKA - The Paintings by Thaddäus Kuntz (Kuntze) from Kock and Lutsk (pp. 247–264)
STEVEN F. OSTROW - Collecting Copies of ‘the most charming fountain in Rome’: Taddeo Landini’s
Fontana delle Tartarughe
(pp. 265–305)
ARTHUR K. WHEELOCK JR - Vermeer becoming Vermeer (pp. 307–331)
Editor-in-chief
Advisory Committee
Latest issue
All issues
Bibliotheca Artibus et Historiae
Our authors
Submissions
Advertising in
Artibus et Historiae
How to buy
Buy articles in PDF
Cart
Links
