Artibus et Historiae
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an art anthology
Artibus et Historiae no. 86 (XLIII)
2022
252 x 232 mm
ISSN 0391-9064
Price :
90.00 EUR
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AGNIESZKA SMOŁUCHA-SŁADKOWSKA - ‘A New Image of Justice’. Marco Guidizani’s Medal of Bartolomeo Colleoni and the Beginnings of Medallic Art in Venice (pp. 9–40)
HERBERT R. BRODERICK, FSA - A Possible Aesculapian Theme in a Drawing Recently Attributed to Michelangelo (pp. 41–52)
GIANLUCA POLDI - A Newly Discovered
Penitent Magdalen
by Titian in Focus. Observations on the Painter’s Practice (pp. 53–70)
ENRICO MARIA DAL POZZOLO - Nuovi riscontri per
I Santi Rocco e Sebastiano
di Lorenzo Lotto già in Santa Maria in Posatora ad Ancona (pp. 71–86)
CONRAD RUDOLPH - Oliva and Gaulli’s Program at the Gesù and the Jesuit Conception of the End of the History of Salvation (Part 2) (pp. 87–120)
ROMAIN THOMAS - Artists and Publishers Facing the Success of a Seventeenth-century Dutch Bestseller: The Frontispieces of the Successive Editions of Jacob Cats’s
Houwelick
(pp. 121–144)
HERBERT MORRIS - Nicolas Poussin’s
Winter
: The Poetry of Darkness and Light (pp. 145–171)
ARNAUD MANAS -
La tasse de chocolat
de Charpentier. Une date problématique (pp. 173–193)
DOBROSŁAWA HORZELA - The Burning Bush Virgin. In Search for the Origins of the Iconographic Type and Reasons for its Wide Currency in the Stained Glass of Lesser Poland at the Beginning of the Fifteenth Century (pp. 195–240)
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