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Artibus et Historiae no. 77 (XXXIX) 2018 232 x 252 mm ISSN 0391-9064 Price : 90.00 EUR Add to cart Buy issue pdf |
IRINA CHERNETSKY - The Image of Florence in Lorenzo Ghiberti’s Gates of Paradise (pp. 13–30)
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ALISON MANGES NOGUEIRA - Antonio Pollaiuolo’s Designs for the Equestrian Monument to Francesco Sforza: Patronage and Portraiture at the Court of Milan (pp. 31–55)
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PASCALE DUBUS - Peindre l’homme inanimé: le corps en raccourci au Cinquecento (pp. 57–76)
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MICHAEL W. KWAKKELSTEIN - The Limited Impact of Leonardo da Vinci’s Ideas on Painting in Sforza Milan (pp. 77–98)
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SHIGETOSHI OSANO - The Newly Discovered Portrait of Ito Mansio by Domenico Tintoretto: Further Insight into the Mystery of its Making (pp. 145–160)
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MARIE-LOUISE LILLYWHITE - The Decoration of the Jesuit Church of the Madonna dell’Umiltà in Venice, 1560–1606 (pp. 161–200)
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SASKIA RUBIN - Domine, Quo Vadis? Annibale Carracci Approaches an Old Theme Anew (pp. 231–253)
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IRVING LAVIN, with MARILYN ARONBERG LAVIN - Bernini’s Bust of Prospero Farinacci (pp. 255–290)
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KRISTOFFER NEVILLE - Virtuosity, Mutability, and the Sculptor’s Career in and out of the Low Countries, 1550–1650 (pp. 291–318)
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GIOVAN BATTISTA FIDANZA - The Ephemeral Apparatus for the Funeral of Jan III Sobieski in Rome: Cardinal Carlo Barberini’s Art and Politics (pp. 319–333)
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FRANK ZÖLLNER - Werner Tübke’s History of the German Working Class Movement of 1961 and its Place within his Commissioned Art Works (pp. 335–363)
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