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Artibus et Historiae no. 76 (XXXVIII) Studies in Renaissance Art and Culture in Honour of Debra Pincus - Guest Editor: Sarah Blake McHam 2017 232 x 252 mm ISSN 0391-9064 Price : 90.00 EUR Add to cart Buy issue pdf |
SUSANNAH RUTHERGLEN - ‘Resplendent Brushes’: Giovanni Bellini’s Resurrection Altarpiece for San Michele di Murano, Venice (pp. 9–32)
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ALISON LUCHS - Titian, Friendship, and the Vienna Ecce Homo for Giovanni d’Anna (pp. 33–51)
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PATRICIA FORTINI BROWN - Vain Legislation against vana ostentazione: Sumptuary Laws in the Venetian Dominion (pp. 53–76)
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CLAUDIA KRYZA-GERSCH - Confusing Signatures on Bronzes: Sculptor and Caster in Renaissance Venice (pp. 95–112)
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JoAnne G. BERNSTEIN - Medea Colleoni: A Renaissance Tomb of Her Own by G. A. Amadeo (pp. 113–128)
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SHELLEY E. ZURAW - An Axis for Quattrocento Tomb Design: From Florence to Venice, Naples, and Rome (pp. 129–143)
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JACK FREIBERG - Bramante’s Portrait Medal: Classical Hero/Christian Architect (pp. 145–155)
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BRONWEN WILSON - The Itinerant Artist and the Islamic Urban Prospect: Guillaume-Joseph Grélot’s Self-portraits in Ambrosio Bembo’s Travel Journal (pp. 157–180)
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EMILY PEGUES - Jan Borreman’s Wooden Models for Bronze Sculpture: A Documentary Reconstruction (pp. 181–204)
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STEFANIA PASTI - Committenza e iconografia nella Pala Fugger di Giulio Romano (pp. 231–257)
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MARCIN FABIAŃSKI - The Beginnings of Woodcut Portrait in Poland. The Images of King Sigismund I against their Literary Background (pp. 259–289)
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JAMIE MULHERRON - Raphael, Michelangelo and Heliodorus: Intermutations on the figura serpentinata (pp. 291–296)
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CHARLES BURROUGHS - Botticelli’s Stone: Giorgio Vasari, Telling Stories, and the Power of Matter (pp. 297–325)
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