Artibus et Historiae
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an art anthology
Artibus et Historiae no. 83 (XLII)
2021
252 x 232 mm
ISSN 0391-9064
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90.00 EUR
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MARILYN ARONBERG LAVIN - Giotto – Piero della Francesca – Cavallini: Conceptual Connections (pp. 9–26)
PHILIPPE JUNOD - De l’éternité au temps. Note sur les
Annonciations au sablier
(pp. 27–52)
FRANK ZÖLLNER - Leonardo da Vinci’s
Salvator Mundi
, its Pictorial Tradition and its Context as a Devotional Image (pp. 53–84)
MAURO LUCCO - Two New Panels by Giovanni Bellini and the Discovery of a Hitherto Unknown Polyptych (pp. 85–109)
BEVERLY LOUISE BROWN - Who Let the Dogs Out: Jacopo Bassano, Naturalism and Prints (pp. 111–145)
STEFANIA MASON - Al fonte battesimale: Palma il Giovane, tra affetti di famiglia e mestiere del pittore (pp. 147–171)
CATHERINE R. PUGLISI - ‘Bisognare pensarvi un’anno intero’: Guido Reni’s Second Manner and ‘Bianchezza’ (pp. 173–204)
ALEXANDER KUSZTYK - Nicolas Poussin’s
Hunt of Meleager and Atalanta
and the Spanish Court of King Philip IV (pp. 205–214)
ANDRZEJ ROTTERMUND - An Artist’s Prestige: Bernardo Bellotto Between Dresden and Warsaw (pp. 215–254)
WILLIAM L. BARCHAM - The Issue of Copies: Three Drawings by Giannantonio Guardi in New York (pp. 255–275)
DAVID EKSERDJIAN - What’s in a Name? Emulation and the Hazards of Attribution (pp. 277–295)
DEBORAH HOWARD - Architectural Encounters: Ottoman-Inspired Typologies in Europe as Liminal Social Space (pp. 297–312)
ARTHUR K. WHEELOCK, JR. - In Pursuit of Masterpieces: The National Gallery of Art’s Acquisitions from The Prince of Liechtenstein (pp. 313–332)
LIANA DE GIROLAMI CHENEY - Edward Burne-Jones’s
The Legend of the Briar Rose
: A
poema d’arte
about Mysterious Dormancy (pp. 333–360)
TADEUSZ J. ŻUCHOWSKI - Caspar David Friedrichs Bilder mit den so genannten
Chasseurs
(pp. 361–385)
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