Artibus et Historiae
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an art anthology
Artibus et Historiae no. 82 (XLI)
2020
252 x 232 mm
ISSN 0391-9064
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90.00 EUR
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PIETRO C. MARANI - L’assalto a un bastione disegnato da Leonardo nel giardino di Charles d’Amboise (pp. 9–23)
JOSEPH F. GREGORY - Reframing an Icon: Leonardo’s Paris
Virgin of the Rocks
and the Economy of Salvation (pp. 25–73)
HANA ŠEDINOVÁ -
Vis nominis, vis textus, vis imaginis
. Gli esseri marini denominati in base agli animali terrestri nelle opere di Tommaso di Cantimpré e di Paulerinus (pp. 75–103)
JAKUB ADAMSKI - Double-Nave Friar Churches in Prussia and the Questions of Asymmetry and Irregularity in the Medieval Architecture of the Mendicant Orders (pp. 105–130)
THOMAS MARTIN - Filarete’s
Odysseus and Iros
: Its Meaning and Albertian Source (pp. 131–151)
ANTONI ZIEMBA - ‘Write here whatever you want’: Empty Banderols in Northern European Art of the Fifteenth and Sixteenth Centuries (pp. 153–185)
JAMES R. JEWITT - Dosso Dossi’s
Jupiter Painting Butterflies
: Artistic Rivalry and Imitation in Renaissance Ferrara (pp. 187–209)
PETER HUMFREY - Venetian Painted Ceilings of the Renaissance and the Direction of Light (pp. 211–225)
EUGENE J. JOHNSON - The Villa Giulia as a Performance Space (pp. 227–247)
IRVING LAVIN (†) with MARILYN ARONBERG LAVIN - The ‘Palestrina Pietà’: Gatherings on the History of ‘a Statue Begun by Michelangelo’ (pp. 249–265)
ANETA GEORGIEVSKA-SHINE - ‘A nymph, a goddess, or a fairy queen’: Van Dyck and the Poetics of Conversion in
Rinaldo and Armida
(pp. 267–285)
ARNAUD MANAS - La fresque de François Perrier de la galerie de l’hôtel de La Vrillière : une nouvelle interprétation (pp. 287–303)
PIERRE ROSENBERG - Défense et illustration des catalogues raisonnés : l’exemple de Poussin (pp. 305–312)
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