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Artibus et Historiae no. 62 (XXXI) KONRAD OBERHUBER IN MEMORIAM (1935-2007). PART II 2010 252 x 232 mm ISSN 0391-9064 Price : 90.00 EUR Add to cart Buy issue pdf |
CHRISTOPH LUITPOLD FROMMEL - Michelangelos „Auferstandener Christus“, seine erste Version, und der junge Bernini (pp. 15—34)
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FRITZ KORENY - Hieronymus Bosch and the Netherlandish Drawing: Attribution, Dating and Localisation (pp. 35—43)
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MARIA CRISTINA CHIUSA - Per una nuova lettura degli affreschi del Correggio (pp. 45—67)
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SUZANNE FOLDS MCCULLAGH - In Homage to a Motivational Mentor: Konrad Oberhuber as a Teacher of Drawings (pp. 77—84)
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CATHERINE MONBEIG GOGUEL - Quelques observations sur la pratique des retouches dans le dessin. Retour sur le cas des dessins de la collection Jabach au musée du Louvre (pp. 103—114)
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ANNAMARIA PETRIOLI TOFANI - Considerazioni sui disegni di Girolamo Siciolante da Sermoneta agli Uffizi, con qualche nuova ipotesi (pp. 121—130)
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GERT JAN VAN DER SMAN - Brio veneziano: per Andrea Vicentino, pittore di modelli (pp. 137—147)
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GUDRUN SWOBODA - Ein Prüfstein des „durchdringenden Blicks“: Marcello Venustis Heilige Katharina im Physiognomischen Kabinett J. C. Lavaters (pp. 149—154)
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HANS WIDAUER - Vom Werkbehelf zum Zeichen: Albrecht Dürers Zeichnung Die Betenden Hände und die Geschichte ihres Funktionswandels (pp. 155—172)
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THOMAS DACOSTA KAUFMANN - The Festival Designs of Jacopo Strada Reconsidered (pp. 173—188)
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JOANNA WOLAŃSKA - The Designs of Józef Mehoffer for the Armenian Cathedral in Lvov (1907–1913): Circumstances, Sources of Inspiration and Execution (pp. 189—231)
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