This article provides an addendum to our recent monograph on the Venetian sixteenth-century painter Bonifacio de’ Pitati. As well as making a few corrections, the article publishes a number of previously little-known or completely unknown works, including an early Salvator Mundi; a Sacra Conversazione in the Staatsgalerie, Stuttgart; a large Last Supper in a parish church in the north-west of England; a Saint Jerome in the Archbishop’s Palace, Dubrovnik; and a signed and dated, three-quarter-length portrait of the Marchigian condottiero Giulio di Montevecchio.