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Artibus et Historiae no. 66 (XXXIII) 2012 252 x 232 mm ISSN 0391-9064 Price : 90.00 EUR Add to cart Buy issue pdf |
GAVIN WIENS - Spaces Made Strange: Architectural Oddity as Devotional Catalyst in the Passion Sequence of Duccio’s Maestà (pp. 9–28)
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CYRIL GERBRON - Fra Angelico, les Médicis, les Mages et le concile de Florence. Une histoire de temps entrecroisés (pp. 29–48)
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BARBARA BAERT - The Legend of the True Cross Reconsidered: A Discovery in the Grotto Church of Andria, Italy (fifteenth century) (pp. 49–74)
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ALISON LUCHS - Verrocchio and the Bust of Albiera degli Albizzi: Portraits, Poetry and Commemoration (pp. 75–98)
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ECKART MARCHAND - His Master’s Voice: Painted Inscriptions in the Works of Domenico Ghirlandaio (pp. 99–120)
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EDWARD GRASMAN - A Salute to You: Expansion under the Wings of Saint Mark (pp. 121–132)
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LOUISE MARSHALL - A Plague Saint for Venice: Tintoretto at the Chiesa di San Rocco (pp. 153–188)
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FRANCESCA ALBERTI - La Descente de croix de Daniele da Volterra: iconographie, fonction et contexte (pp. 189–238)
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TIMOTHY DE PAEPE - Painting, Drama and Discomfort: The Great Painters’ Hall of the Antwerp Saint Luke’s Guild (1664–1810) (pp. 247–268)
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JOHN R. BLAKINGER - Death in America and Life Magazine: Sources for Andy Warhol’s Disaster Paintings (pp. 269–286)
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TERESA GRZYBKOWSKA - Andreas Stech’s Portraits of Johannes Hevelius in Gdańsk and Oxford. At the Origins of the Portrait of the Early Modern Scholar (pp. 287–316)
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