Artibus et Historiae no. 35 (XVIII)1997, ISSN 0391-9064
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CHARLES HOPE - The Attribution of Some Paduan Paintings of the Early Sixteenth Century
To judge from surviving documents, Gian Antonio Corona was one of the most successful painters active in Padua in the first three decades of the sixteenth century. His only secure works are two frescoes in the Scuola del Santo, painted in 1509—1510. A canvas in the same room must be an old copy of a fresco which he painted there in 1511. It is here proposed that Corona was also responsible for four frescoes in the Scuola del Carmine, which have long been given to Giulio Campagnola around 1505, but which must date from after 1511. On the basis of these attributions, it is suggested that Corona also painted two small panels in the Uffizi, which for two centuries have been regarded, for reasons that are manifestly unsatisfactory, as very early works of Giorgione, as well as some frescoes in Castelfranco likewise often attributed to Giorgione.