The article examines an important series of seventy-eight Italian engravings, known as the Sola-Busca Tarocchi, and attributes them decisively to the late quattrocento Ferrarese school. The Master of the Sola-Busca Tarocchi remains anonymous, but a num­ber of other prints can be assigned to his hand, most notably a group that had been published in1949 but then dropped out of sight. These and several other works, distinctive in both style and iconog­raphy, are herein ascribed to the Master, who emerges as a major figure in the field of early Italian engraving. Lists of prints attributed to or associated with the Master of the Sola-Busca Tarocchi are included in appendices.