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Artibus et Historiae no. 79 (XL) 2019 232 x 252 mm ISSN 0391-9064 Price : 90.00 EUR Add to cart Buy issue pdf |
HORST BREDEKAMP - Bernini’s Bees – Picasso’s Bulls. On the Death of the American Art Historian Irving Lavin (1927–2019) (pp. 9–10)
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RAFAŁ QUIRINI-POPŁAWSKI - Alcune note sull’origine adriatico-ungherese dello stile dei capitelli del monastero benedettino di Tyniec (pp. 23–43)
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DANIELE GUERNELLI - Generazioni a confronto. Un Messale per San Michele in Bosco a Bologna miniato da Giovanni Battista e Scipione Cavalletto (pp. 45–72)
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VICTORIA S. REED - Decapitation, Devotion, and Desire in Titian’s Salome (pp. 89–115)
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MARIE-LOUISE LILLYWHITE - The Decoration of the Church of San Giacomo dall’Orio in Venice, 1567–1606: Palma il Giovane, Giovanni Maria da Ponte and the Counter-Reformation (pp. 117–150)
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JESSE LOCKER - ‘I’m Still Learning’: The Painter’s Studio by the Master of the Annunciation to the Shepherds (pp. 167–190)
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SILVIA TITA - The Spada Swords and the Barberini Bees Define the Borders of the Papal States: the Frescoes by Colonna and Mitelli in the Salone of the Palazzo Spada (pp. 191–227)
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STEVEN F. OSTROW - Bernini, Baciccio, and the Dome Fresco in the Gesù: A Reconsideration (pp. 287–306)
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LARISA NIKIFOROVA, EKATERINA BLOKHINA - Portrait with a Black Page in Eighteenth-Century Russian Art and the Cultural Transfer of Signs (pp. 307–322)
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