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Artibus et Historiae no. 73 (XXXVII) 2016 252 x 232 mm ISSN 0391-9064 Price : 90.00 EUR Add to cart Buy issue pdf |
MARILYN ARONBERG LAVIN - ‘Avant-Garde’ in the Late Medieval Apse of Santa Maria in Trastevere (pp. 9-54)
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HANNEKE VAN ASPEREN - The Virgin and the Virtues. Charity in Ambrogio Lorenzetti’s Representation of Good Government (pp. 55-70)
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COLIN EISLER (with the assistance of CAROLINE KELLY) - Fra Antonio Falier da Negroponte’s Madonna and the First Venetian Imperial Style (pp. 71-89)
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JÓZEF GRABSKI - The Madonna della Rovere: Raphael in the Workshop of Pietro Perugino (pp. 91-123)
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EMILY A. FENICHEL - Penance and Proselytizing in Michelangelo’s Portrait Medal (pp. 125-138)
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PAUL JOANNIDES - An Attempt to Situate Titian’s Paintings of the Penitent Magdalen in Some Kind of Order (pp. 157-194)
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CARLO CORSATO - Dai Dal Ponte ai Bassano. L’eredità di Jacopo, le botteghe dei figli e l’identità artistica di Michele Pietra, 1578–1656 (pp. 195-248)
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MARCO CARDINALI, MARIA BEATRICE DE RUGGIERI, GIORGIO LEONE, WOLFGANG PROHASKA, MATTHIAS ALFELD, KOEN JANSSENS - The Rediscovered Portrait of Prospero Farinacci by Caravaggio (pp. 249-283)
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TIFFANY A. RACCO - Darkness in a Positive Light: Negative Theology in Caravaggio’s Conversion of Saint Paul (pp. 285-298)
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ALBERTO COTTINO - Replicas, Quotations and Serial Production in Italian Baroque Still Lifes: A Few ‘Case Studies’ (pp. 299-312)
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MERYL BAILEY - Punishment as Brotherly Love: Antonio Zanchi’s Expulsion of the Profaners from the Temple and the Venetian Conforteria (pp. 313-334)
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EWA KOCISZEWSKA - Woven Bloodlines: The Valois Tapestries in the Trousseau of Christine de Lorraine, Grand Duchess of Tuscany (pp. 335-363)
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