Artibus et Historiae no. 71 (XXXVI) 2015 252 x 232 mm ISSN 0391-9064 Price : 90.00 EUR Add to cart Buy issue pdf |
DANIEL SAVOY - Keeping the Myth Alive: Andrea Dandolo and the Preservation of Justice at the Palazzo Ducale in Venice (pp. 9-29)
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CAROL HERSELLE KRINSKY - Why Hand G of the Turin-Milan Hours Was Not Jan van Eyck (pp. 31-60)
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KATARZYNA KRZYŻAGÓRSKA-PISAREK - La Bella Principessa – Arguments against the Attribution to Leonardo (pp. 61-89)
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MARCIN FABIAŃSKI - L’iconografia del Giove pittore di farfalle di Dosso Dossi, ossia il sogno di primavera di Alfonso d’Este (pp. 113-124)
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MICHELE DANIELI - Quattro dipinti di Scarsellino nella collezione Canonici e le loro fonti figurative (pp. 125-144)
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STEVEN F. OSTROW - Pietro Tacca and his Quattro Mori: The Beauty and Identity of the Slaves (pp. 145-180)
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KRZYSZTOF J. CZYŻEWSKI and MAREK WALCZAK - The Monuments with Portrait Busts of the Bishops of Cracow: On the History of the Reception of Roman Baroque Models of Sepulchral Art in Poland (Bernini – Algardi – Rossi) (pp. 181-223)
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BARBARA HRYSZKO - Alexandre Ubeleski (Ubelesqui): The Œuvre of the Painter and the Definition of his Style (pp. 226-280)
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JESPER SVENNINGSEN - Mattia Preti’s Vault in Saint John’s, Valletta: New Light on a Complex Iconography (pp. 282-295)
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JOSEPH MANCA - British Landscape Gardening, Italian Renaissance Painting, and the Grand Tour (pp. 297-322)
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