Artibus et Historiae
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an art anthology
Artibus et Historiae no. 75 (XXXVIII)
2017
252 x 232 mm
ISSN 0391-9064
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90.00 EUR
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ANTHI ANDRONIKOU - Visual Anachronisms in Context: Religious Painting in Venetian Cyprus and Medieval Bolognese Manuscripts (pp. 9–31)
DOBROSŁAWA HORZELA - Voluntary Poverty and the Relation of Potential Text and Image in the Stained-Glass Cycle of St Alexis in Königsberg in der Neumark (present-day Chojna, Western Pomerania) (pp. 33–49)
STEVEN J. CODY - Mantegna and the Orators: The Invention of the
Mars and Venus
for Isabella d’Este Gonzaga (pp. 51–77)
ALLISON FISHER - Portraits of Alexander the Great During the Italian Renaissance (pp. 79–96)
LIVIO PESTILLI - On
The Crucifixion of St Peter
Relief in Bramante’s Tempietto (pp. 97–125)
STEFANO COLOMBO - Portraits of Sovereignty: Jacopo Palma Giovane and the Doges’ Commemorative Cycle in the Doge’s Palace, Venice (pp. 127–148)
JACK WASSERMAN - Jacopo Pontormo’s
Virgin and Child with Saint Anne
in the Louvre (pp. 149–163)
CYRIL GERBRON - Présences énigmatiques: les natures mortes de Juan Sánchez Cotán (pp. 165–180)
CATHERINE HUNT -
The Saltonstall Family
: A Study of Time, Space and Memory (pp. 181–193)
STEFANO PIERGUIDI - Ferrata e Guidi, ‘giovani’ di Algardi, in Sant’Agnese: una contesa interna (pp. 195–205)
ALEXANDRA LIBBY - Innovation and Identity in Cornelis Gijsbrechts’
A Hanging Wall Pouch
(pp. 207–223)
LIANA DeGIROLAMI CHENEY - Giulia Lama: A Luminous Painter and a Tenebrist Poet (pp. 225–252)
WOJCIECH BAŁUS - ‘Je suis celui qui sui’. Text, Ornamental Form, and Epiphany in Józef Mehoffer’s
God the Father
Stained Glass in Freiburg (Switzerland) (pp. 253–263)
CONRAD RUDOLPH, AMIT ROY-CHOWDHURY, RAMYA SRINIVASAN, AND JEANETTE KOHL - FACES: Faces, Art, and Computerized Evaluation Systems – A Feasibility Study of the Application of Face Recognition Technology to Works of Portrait Art (pp. 265–291)
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