Artibus et Historiae no. 65 (XXXIII) 2012 252 x 232 mm ISSN 0391-9064 Price : 90.00 euro   Add to cart

Luís Urbano Afonso - Eros et Thanatos: The Tomb of King Pedro in Alcobaça and its Wheel of Life and Fortune (1358–1363) (pp. 9–41)
Peter Weller - A Reassessment in Historiography and Gender: Donatello’s Bronze David in the Twenty-First Century (pp. 43–77)
Marlene Lynette Eberhart - Sensing, Time and the Aural Imagination in Titian’s Venus with Organist and Dog (pp. 79–95)
Aneta Georgievska-Shine - Titian and the Paradoxes of Love and Art in Venus and Adonis (pp. 97–113)
April Oettinger - The Lizard in the Study: Landscape and Otium in Lorenzo Lotto’s Portrait of a Young Man (c. 1530) (pp. 115–125)
Gianni Papi - L’enigma Caroselli (pp. 127–150)
Christiane Hille - England’s Apelles and the sprezzatura of Kingship: Anthony van Dyck’s Charles I in the Hunting Field Reconsidered (pp. 151–166)
Mickaël Bouffard - Aristocratic Standing and the Five Positions of French Noble Dance in Portraiture (pp. 167–202)
Bernice Iarocci - Poussin’s Echo and Narcissus: Painting as Lamentation (pp. 203–230)
Brendan Cole - The Mask of Dionysus. A Reinterpretation of Poussin’s Triumph of Pan (pp. 231–274)
Jakub Adamski - The Pseudo-polygonal Rib Vaults, St. James’ Church in Toruń and the Question of Illusionism in Gothic Architecture (pp. 275–305)