Artibus et Historiae no. 62 (XXXI)

2010, ISSN 0391-9064

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DAVID EKSERDJIAN - Amico Aspertini and Raphael

This article explores the nature and extent of Amico Aspertini’s response to the art of his own time, and in particular proposes a re-dating to a decade and more later of his contribution to the fresco cycle in the Oratorio di Santa Cecilia in Bologna on the basis of a borrowing from Raphael’s Spasimo di Sicilia.

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